The gallery at Foundry Vineyards opened in 2010 and has been fortunate to exhibit artists such as Deborah Butterfield, Ai Weiwei, Chuck Close, Kiki Smith, Matthew Day Jackson, Rob Pruitt, James Lavadour, and more. In the gallery, we aim to exhibit a diverse group of established artists, mediums, and concepts predominantly in the vein of contemporary art. 

The gallery hosts quarterly exhibits. Though the dates are subject to change, art openings typically occur in February, May, August, and November and are co-curated by owners Lisa & Jay Anderson. The Foundry Vineyards gallery is not open for artist inquiries, however the Andersons believe strongly in collaboration and are open to proposals from art and humanities focused organizations. 


Chromatic Incidents

Gillian Theobald

August 5 - October 30, 2022


Foundry Vineyards is pleased to show Chromatic Incidents, an exhibition of paintings and bas-relief collages by Gillian Theobald. The opening reception takes place Friday, August 5 from 5 pm-7 pm and will be on display through the end of October 2022. 


Gillian’s work walks the line between abstraction and figurative. The paintings are recognizable spaces of flora yet the titles of this series is fictive spaces expressing that these are imagined places. The paintings and collages share a vibrant and often saturated color palette.


The bas-relief collages are made from trash (found or bought objects). These items have been manipulated and painted, they have familiar textures and stand off from the wall into space. 


A special thanks to Studio E Gallery in Seattle for making this exhibition possible.


Theobald was a finalist for the 2017 Neddy award, and was included in the west coast edition of New American Paintings, 2016. She has shown widely in the Northwest, throughout the United States, and in Europe for many years.  Her work has been featured in exhibitions at the Los Angeles County Museum of Art; the Rose Museum, Brandeis University; Gallery Akmak, Berlin; Rocket Gallery, London; Blum Helman Gallery, NY; Emmanuel Gallery, University of Colorado at Denver; the Fitchburg Museum, MA.

Gillian Theobold lives and works in Seattle, WA.


I like doing more than one body of work at a time, in different media. When I move back and forth between
painting and collage, it’s clear how the two practices feed each other.

The grammar of my paintings is abstract but uses the imagery of nature—thus the title of the series, Fictive
Space. I’m interested in building this meditative, slow space using juxtaposition and dichotomy, with families
of color playing off each other to create a kind of poem.

The grammar of the collages is also abstract, using found paper and paint to fabricate a space. I started
making collages in 1979 to teach myself more about structure. I had a huge studio I could fill up with found
materials, so I made over three hundred.

I especially like paper that has been eroded—a record of time. In 2015, I came upon some good material in
weathered posters on construction fencing in New York, and brought the material home in my suitcase. That
kick-started resumption of my collage practice. (



Chromatic Incidents

Lazy Eye

The Fires of War

Selected Works


Recent Works

Absorption Castings

I Don't Care! I'd Rather Sink!

Solids & Voids: An Exploration of Boundaries

Breaking Boundaries


Crow's Shadow Institute for the Arts

Photos from the Great Depression


Land of Origin

Recent Works in Painting, Print, and Glass

Good Girls


New Sculptures

Graffitti Writers

Mokuhanga Exhibition

Exploring Fragility and Transience

Into the Field

Rebar and Case

Tapestries from Magnolia Editions